Character Creation: Part 3
Allies and Enemies
This episode focuses on the other characters who will come into play as we tell the stories of our heroes. These people made them who they are and whose influence color their interactions with the world. When these cards are drawn, the players are encouraged to add into the storytelling some element of how this person’s influence or memory impacts the moment, whether it is causing failure or success.
The Game
This Game was played using the Mavericks system. An RPG utilizing a deck of cards to tell the story and put fate in the hands of the players. It’s a story-forward roleplaying experience that encourages the players and dealer to work together to create the story. Check out the System Reference Document on Itch.io
https://the-indecisionist.itch.io/mavericks
The Cast
Stella Cheeks is @stellacheeks on Instagram and Bluesky. Check out her other podcasts, Not Your Demographic, X-Treks, and Spooky Thirties.
Sara Moore is @pixiesandpins on all social media channels and at Pixies and Pins.com. You can also check out her Sarah’s Table livestreams on twitch @pixiesandpins.
Omar Burgos is @Taleweaver Check out his work on the Tale of D20s TTRPG channel. More information at https://ataleofd20s.com/
Ben Banks is @Dj_blindian on Instagram and Soundcloud
I’m Ansel Burch and you can find me @TheIndecisionist on all of the meta properties and on Bluesky.
———
Special thanks to Cameron Evesque Davis for the song you’re hearing now and at the beginning of the podcast. Find her work on Soundcloud https://soundcloud.com/cameronevesquedavis
This show is an Indecisionist Production. Go to Indecisionist.com to find more of my work including my monthly gaming event, TTRPG Pickup Con, and my other time travel podcast, Time 2 Party.
As you travel at one second per second, take some time out for these intrepid adventurers. They may be in trouble, but only for the time being.
Transcript
Ansel Burch 0:06
I welcome adventurers from across time and space. Five creators have been brought together from across the internet for one purpose and one purpose alone, to travel through time and have a good time doing it. When big changes happen to the timeline, the change attracts other time travelers like gravity, they won't be able to move past it until they fix whatever was messed up. So our heroes are stuck together, but only for the time being. You
Ansel, welcome back to the third episode of for the time being, I am Ansel Burch, your game master and dealer. It's so wonderful to have this game out in the public and you listening to this actual play of it. We are continuing with the character creation process today, and I hope you are enjoying it. The character creation process for this game is really indicative of the way that the rest of it plays. It leans in on interpreting the cards and letting them tell a story. It lets you breathe life into the random numbers and symbols that are given to you. So if you are playing along at home, I cannot enough recommend that you find yourself a deck of cards with some interesting art or some fun backstory. If you're particularly interested in a particular genre or a fun concept for your character, it really does help to get you know a deck of cards that leans into that. If you want to play a mad scientist, see if you can find scientists from history, deck of cards from your local museum, or I got a deck of cards from the nerd fighteria fandom, from the green brothers. And everyone has its own individual piece of art and a little reference from the greater work of the Hank and John Green oeuvre. What I'm saying here is the reason I wanted to start with the character creation process and then get into the actual gameplay, is that I think that the character creation process
informs so much about how the rest of the game is played, and it is in some ways, My favorite part of what I was able to design as a part of the maverick system. So once again, I thank you all for your support and enjoying this show. There's only one more episode of character creation left, and then we start on our first adventure in Sumeria. It is absolutely bananas, and I cannot wait for you to hear it, so buckle in tight. We are going to keep the character creation coming, and I hope that you enjoy it thoroughly. Let's kick it off with Stella cheeks. So now we are going to define three characters to be your allies and three characters to be your enemies. So the first thing to do is draw three cards off the top of your deck. Go ahead and do them face up. All right, let me make and these three cards will each represent allies. Oh, all right.
Stella Cheeks 3:53
I got a jack of clubs, a queen of hearts and a king of diamonds. Dang. All the Royals are coming out for you.
Ansel Burch 4:04
So what this card will do for you? Mechanically allies. Cards work like inspiration in D and D, you draw another card and the better of the two wins. In this case, these are pretty high cards, so they're probably going to do the job all by themselves. But that does not make them any less powerful, and you might draw a marked card as part of it. The mark for allies is a circle with a.in the middle, okay, and you'll see that on the chart, so you can go ahead and mark all three of these.
Speaker 1 4:42
Boop, boop, it does look like a boob in a good way. Boobs are great, yeah,
Ansel Burch 4:49
who doesn't love boobs Exactly. Tell me about these cards. What do they say to you?
Stella Cheeks 4:58
Well, I'm very important. Yeah. Or you've got real important friends, yeah. Okay, so now I'm thinking,
Ansel Burch 5:06
and they're all different suits,
Stella Cheeks 5:08
right now I'm thinking more about this, like, future deity thing, one of
Ansel Burch 5:16
them could represent your deity,
Stella Cheeks 5:18
yeah? Or, like, what if it's like,
yeah? I think one of them should represent the deity I'm thinking, kind of like a bass, Black Panther thing, or, like, you know, I like that. What's Dead Man's deity? Rama con. I don't know. I can't remember, but, you know, I mean, like, I'm just throwing out all the references I've been I work at a comic bookstore. This is all I think
Ansel Burch 5:44
about all the time. You live in a trope factory.
I'll throw out for you also, while you're thinking about this the way that this manifests in the gameplay. This is a storytelling prompt. So when these character, when these cards come up, the idea is that this character taught you something, or there's a memory of this person that inspires you to do better in the moment. Or maybe there's something about that person that brings a new element into the scene represented by the new card. And if it makes sense, maybe they will personally show up, you know, so, like, your God could intercede when her card is drawn, if it makes sense in the moment, that sort of thing. But mostly it's a it's a prompt for you to think about, like, what did this person mean to me that is relevant in this moment. So it's helpful to think about like, close friends and associates, heroes, family members, that sort of thing. Yeah, okay.
Stella Cheeks 6:56
I think one of them should be and I'm just using the word deity, like, as a placeholder. I don't know if that's like, totally what it is
Ansel Burch 7:04
the patron.
Unknown Speaker 7:06
Well, I like the source. I like
Stella Cheeks 7:08
that too, the source. I'm gonna write that down instinctually. I do want it to be the queen of hearts as the source. It just makes sense. I like that. Well, I like the idea of having somebody still on the planet who cares about me so that, like, when I like, I have a reason to go back that I want to go back. You know what I mean? Like, yeah, oh yeah. Adam Strange has his family on run, and he's like, I want to go back see them. So some kind of like, I don't know, you know what I want to play with. I want to play with, like, platonic love. I want to play like, like best friend. I feel like it's very easy to be like my lover, my winter love, or whatever. But like, yeah, how awful would it be if you couldn't see or talk to like your best friend person, right? That would be really bad. So I'm gonna say that the what did diamonds represent?
Ansel Burch 8:12
Again, merchants and artisans
Stella Cheeks 8:15
and clubs were the tinkery types. Yeah,
Ansel Burch 8:19
workers, working class
Stella Cheeks 8:23
farm hands, so I'm gonna make my the jack of clubs, my bestie, TBD, their name and everything about
them. But also, like we have this and
Ansel Burch 8:35
all of that can come up in play. There's no need to like over you know what this person means to you? That's the important thing.
Stella Cheeks 8:42
I'm thinking that this is like, you know, again, I live in a trout factory, if we're going with the idea that I come from some kind of wealth or station, but what I really like to do is the, like, lower tinkering or whatever. And this person is of that class, I guess maybe that can be, like, the end of the friendship or something.
Ansel Burch 9:12
Yeah, when you snuck away from the big house, this is the person you hung out with in the in the low part of the city? Yeah, they did. They didn't judge you there,
Stella Cheeks 9:24
yeah, because we live in a trope factory. But they're traps for a reason.
Ansel Burch 9:31
Yes, there's something universal and human. Yeah, I wonder if the other one isn't your earth best for Yeah, I like that,
Stella Cheeks 9:40
but,
but if I go, if we're like, time traveling throughout earth, then, like, I would only see them every you know, you know what I mean? Oh, that's true. That's true. So
Ansel Burch 9:51
unless it's like a Baldrick situation, where there's just always one who's
Stella Cheeks 9:55
just there, who gets pulled in at the same time. I.
Ansel Burch 10:01
Oh yeah, I'm Baldrick the seven. You're like Baldrick the first served. Your answer, that's
Stella Cheeks 10:07
very funny.
Ansel Burch 10:09
Do you know black? I know black better. Okay, good. All right,
Stella Cheeks 10:12
I had a feeling too girly.
Ansel Burch 10:16
I mean, season two is, is
Stella Cheeks 10:19
Queenie the best.
Ansel Burch 10:22
Season Four, I think has a lot going for it that is unappreciated, but it is still not as good as season two.
Stella Cheeks 10:31
Yeah, she's just perfect as the Queen.
Ansel Burch 10:35
And three, three is all about Hugh Laurie as as the prince, yeah,
Stella Cheeks 10:39
which I think is fine. I'm not like, the hugest Hugh Laurie person, so I'm like, Yeah, it's fine. That's fair. Okay, we are proving ourselves as nerds.
Speaker 2 10:50
Yep. See, we don't stop. Okay,
Stella Cheeks 10:54
who? King of diamonds. Diamonds, diamonds. King of Diamonds. Maybe it could just be simple. Maybe it could just be like a family member who is inspiring, or whatever.
Speaker 3 11:04
You're the the the you know, the leader of your family or your family's organization, if you're maybe less, you know blood organized and more,
Stella Cheeks 11:16
I don't know, clan organized, clan
Ansel Burch 11:19
focused, or village focused, or whatever,
Stella Cheeks 11:24
yeah, yeah, TV on what that is some but I like that. There you have, like, the source, platonic friend, family, something,
Speaker 1 11:34
yeah, I like that. That's very cool. Covers a whole spread.
Sarah Moore 11:40
We got a two of spades.
Ansel Burch 11:42
Okay,
Sarah Moore 11:45
so it's a ally, which is the little
Ansel Burch 11:47
circle with a.in the middle, or the boob, as everyone keeps pointing out,
Sarah Moore 11:52
titties.
I'm ready for the titties. What is this city so? So again, spades. Speak to those who fight. So, you know, this could be somebody you know from your time not being in the military, or someone your father is affiliated with. This could be your bodyguard when you're on set this, you know, this could go a lot of directions.
Interesting. Okay, so what if it's my stunt double, but I do all my own stunts,
Ansel Burch 12:29
so she just gets to be there.
Sarah Moore 12:31
She just gets to, like, hang out and be my friend.
Ansel Burch 12:36
That I like that. I like that you have a professional friend, yeah? Yeah. Like,
Sarah Moore 12:41
I think they are probably genuinely very close, but I also think that, like, she would obviously insist on doing her own stunts, so the studio has, like, you have to have, legally, we have to provide one, yeah, legally, you have to be here. And she's like, Yeah, all right, okay, but like, she's gonna break herself. She's not falling out of any vehicle. She hasn't even jumped out of a plane. We can't do this
Ansel Burch 13:07
to her. Just can't do this. I mean, pursue it to our earlier conversation. I'd also throw out there is this, maybe how you snuck a girlfriend on set could be whether it started that way,
Sarah Moore 13:21
look like you. He's blonde,
Ansel Burch 13:23
right? Yeah, the head taller.
Sarah Moore 13:27
But who? I mean
Ansel Burch 13:32
she's looking that closely, it'll be fine. We got wigs. That's
Sarah Moore 13:39
cool. We'll put the other dude on an apple box. It's kind of
Ansel Burch 13:42
fun. The important thing is, our books look the same, and when we shoot from behind, that's what you gotta
Sarah Moore 13:49
this is what you gotta do. Obviously, she's my butt, double my butt double love it. We'll give her a name. I'll figure her out. I like it. She's a stunt double girlfriend. Everybody's sleeping with everybody.
Ansel Burch 14:15
Must be a good story. All right, do one more, another boob. All right.
Sarah Moore 14:19
King of Clubs. It's the king of clubs, and we've
Speaker 3 14:24
not done a club yet. So clubs back to the metaphor that we gave with the diamonds. Clubs are the other side of that, of that dichotomy. Clubs are those who labor. So we think about like farmers and blacksmiths and tailors and millers and and I mean in your context, that could be, you know, gust boys and key grips and set builders and that sort of thing.
Sarah Moore 14:52
Or could be my costumer, costumer would
Ansel Burch 14:56
also be a good one. Yeah. Yeah. Somebody. Who's like, making stuff and working with their hands?
Sarah Moore 15:05
Yeah, I absolutely think that there is, like, I think that she has, she has somebody who is
Speaker 3 15:15
a costumer. Do you think, I think? Do you think that they're like the best in the world, and that's why we got a king for this. Like you have, you have to be the best in the world if you're going to put clothes on the woman who's going to jump out of a boat into allocate alligator infested waters like
Sarah Moore 15:32
they have to be beautiful and functional. This is an art form, and then you have to also be skilled enough to, like, dress me for premieres and stuff like, there's a whole range of things you have to do. And I think probably this costumer, he probably knows that my stunt Devil is my girlfriend. I don't know how commonplace it is for like, open marriages and or queer you
Speaker 3 16:05
know, I would, I would leave that up to you. Since we're inventing your time line whole cloth, I think I would like to leave it up to you. What is the most interesting for you to play? Because I don't, if I we don't need to add close mindedness where it's not useful.
Sarah Moore 16:29
Don't, don't add an obstacle where we don't need it. Yeah, so well, especially
Ansel Burch 16:32
just to like, your character has a nice life, aside from falling through time occasionally,
Sarah Moore 16:42
just like a weird day on set, um, I think it would be interesting for it to be very commonplace for her to be like Polly and her like she's got her husband and her girlfriend, and her husband probably also has maybe A boyfriend and a potential another girlfriend like I think they have, I think it's probably pretty normal where they're at. And I think the interesting part of that could be going into timelines where that is not normal. So having her, like, encounter close mindedness in a different place, and also, I'm sure that there's some sort of weird, close minded where she's at, like, I think the area that she's coming from is very classist, probably, like, I think it's, you know, like, it's very, it's very about the haves and the have nots are a big divide. And so I think that that's like, where society and her society has chosen to, like, make that discrimination. And so like to go into a different area where, like, maybe money is not as big of a thing, and then have it be like, yeah,
Speaker 3 18:04
where identity is more important than money. And that confuses you, yeah, yeah. Do you think that that is not to, not to backtrack on that, but do you think that that is a product of your wealth, the fact that you can live the privileged life that you do, or does everybody in your timeline kind of exist in a multi faceted, more nuanced relationship dynamic?
Sarah Moore 18:36
I think that monogamy is just sort of like not a thing in the world that she comes from, because they really embrace, like, the community aspect of sort of everything. So like, it is probably much more rare and sort of surprising to find somebody who has, like, only one partner.
Speaker 1 19:06
Oh, okay, yeah, I like that sort
Sarah Moore 19:09
of like, how in Avatar, they're like, this is my bear. And they're like, it's just a bear. That's, that's weird.
Ansel Burch 19:15
What, Where did you find just a bear, right? Like, you
Sarah Moore 19:20
know? So I think it's that sort of just like, but this is how people are. This is what do you mean, one,
Ansel Burch 19:27
one, part one, the whole time is it.
Sarah Moore 19:30
Did you just do you broke up with your other what like? What is are you between?
Yeah, yeah, just like, fully confused all the time. That's cool. I
Speaker 3 19:46
like that idea. I like that, yeah, all right, well, then draw us one more ally, kind of hard, nice. So that's another higher power sort of person,
Sarah Moore 19:58
somebody within this. Studio system
probably makes sense.
Ansel Burch 20:07
I card without being like, super important,
Sarah Moore 20:11
yeah,
maybe it's her agent.
Ansel Burch 20:18
Ooh, that makes sense. Now I do want to backtrack a little bit and say something that I failed to say earlier, which is that please, mechanically within the within the milieu of the game, drawing these cards doesn't necessarily like summon these people rather, rather, it gives you inspiration based on what these people mean to you. Yeah, so I think that, like, I just wanted to give you that extra piece of nuance in case that helps you know, if you wanted to think about like a childhood friend or a mentor or something, although an agent that's a very influential person, that that still falls within what we're talking about.
Sarah Moore 21:03
Yeah, I also think that that she is the kind of person that would just like, I think she she could get all this stuff on her own. She's pretty she's pretty tough and insistent and, like, determined, and so like, I think maybe her agent is her, one of her childhood friends. Oh, she was just like, you're my agent now, and I'm gonna be paying you. You get to 50% of all my work. I don't need your help, I have gotten myself in a very good position. Let me help you be in a good position, kind of a thing. So, I mean, like, I think they've probably learned, and they have a power, because they're my agent, sure, but I don't
Ansel Burch 21:57
care of a lot of the like, paperwork, shit that you're not good at since we've established, oh,
Sarah Moore 22:02
I don't even know that there is paperwork I contracts. Who's she? Yeah, literally none of that. Thanks so much. No that. I don't, I don't do that.
Ansel Burch 22:17
That is, that is your job, Sydney, and I wish you luck with it.
Sarah Moore 22:23
Off you go. Thanks so much. We'll not be doing that.
Ansel Burch 22:29
No. Thank you. Fantastic. Okay, well, if you've drawn a boob on that one, then you are ready to move on.
Sarah Moore 22:37
I drew a boob. Okay?
Ben Banks 22:50
Um, not right now. Okay, so the next some good building blocks, yeah,
Ansel Burch 22:56
yeah, yeah. The next thing we're going to do is draw three more cards from the top of the deck, so you can set the first five off to the side. These three you can deal face up. These are your allies. Each one of these cards will represent an individual
Ben Banks 23:14
Okay, so put these five to the side,
Unknown Speaker 23:17
and then
Ben Banks 23:22
this so I got a I got a joker. I got an ace of diamonds and a jack of diamonds.
Ansel Burch 23:31
Okay, okay, so we talked earlier about diamonds being sort of merchants and those who refine goods, so tailors, jewelers, merchants, traders, that sort of stuff. So you got a couple diamonds in there. The joker is fun. Joker is a zero value card. But what the ally does for you is, when you draw it, you immediately get to draw another card and take the higher of the two, so the Joker is still going to bring another card into play by virtue of being your ally card. So you're kind of removing the danger of the Joker from this. So that's a nice sort of bonus of having drawn that one. Um, but what? What did these cards inspire for characters? And just to give you an idea of what the mechanic here is, these character, this is a storytelling prompt, right? So when these cards come up, the idea is you're getting an advantage because of something this person meant to you, something they taught you, something they brought into your life. And if it makes sense in the scene, they could show up, you know, they could just literally come help. But more than likely, it's going to be about something that they're the memory of this person evokes. For you.
Ben Banks 25:03
Okay, I think the Joker possibly could be like, like an informant I have, or like someone that's connected to the criminal underground that I like. We kind of built a repertoire between working, you know, on the opposite sides of the law, but we kind of have a mutual respect for each other, so maybe sometimes I pay him a visit, or maybe if he he has a rival or that he wants to get rid of, he kind of lets me know. So something like,
Ansel Burch 25:38
Do you think he's like such a petty criminal that it's not worth taking him in.
Ben Banks 25:42
Oh, absolutely. I like that.
Ansel Burch 25:47
Like, if you steal one more pack of gum, good God, man,
Ben Banks 25:51
yeah. Could
Ansel Burch 25:53
you? Could you try dealing cocaine, just to make it interesting?
Ben Banks 26:02
Yeah? I like that. Yeah, okay, yeah, fun.
Ansel Burch 26:06
Okay, so you're, you're low grade informant, but probably sees a lot. You might be his kind of source of income is just bribe.
Ben Banks 26:17
Yeah, I'm thinking kind of like the usual suspect, Kevin spacey's character, verbal, yes, like that, like he's trying to always score for big, but he gets caught. He messes up. He talks a lot. So,
Speaker 1 26:33
yeah, into it. Love it. What else we got in the pack?
Ben Banks 26:40
So we have the ace of diamonds and jack of diamonds. And I'm trying to think how that would
Ansel Burch 26:49
are they, maybe people that you protected or saved?
Ben Banks 26:55
Yeah, we can do that for the the jack, the jack of diamonds. I like that. Maybe it was a rookie that I was paired up with at some point, and kind of my and he was, like, very idealistic. And maybe some of my, like, street smarts are kind of doing it my way saved him, but at the same time,
Speaker 3 27:27
but he was still shiny, like a new minted Penny, right, right, right. Oh, you poor baby, Street's gonna eat you up. Yeah? I like I could see that. Yeah, I like that. So a former, a former recruit or rookie that you, you trained up,
Ben Banks 27:49
and then I'm thinking the ACE, since it's an ace, maybe like a mentor of mine, or like my police captain back in the day, or whoever, like trained me, I
Ansel Burch 28:03
uh, yeah. I mean, that's, that's a great person to have inspire you later. And, and, I mean, an ace, you're getting an ace to start with, and the chance to draw another card on top of that. So like, you're, you're gonna succeed when he shows up. Okay, yeah, he's gonna inspire you to success. It would be very hard for me as a dealer to overcome you with an ace, let alone an ace that brings other shit to the party. So yeah, I think, I think that the inspiration of a captain or a strong mentor, makes good sense for that.
Ben Banks 28:51
Okay, yeah, making notes here about what we're
Ansel Burch 28:56
Yeah, yeah. Notes are good. I'll send you the recording too. Okay,
Ben Banks 29:01
yeah, that works too. Okay, cool. Yeah, I like that. Now, I'll flesh these out a little bit more, but I like kind of putting a a pin in where they are, as far as, yeah, feel
Ansel Burch 29:11
free to like, continue to like quilt on them as they come up. You know, I think there's, I think there's a lot of room to cook in this game. It's designed around storytelling. There's very few like gritty mechanics. It's the most of the mechanics are to prompt you to tell more story. Okay, so I think there's, there's a lot of potential. There
Speaker 2 29:34
it is, the seven of clubs, the queen of spades. Oh and the Queen of Hearts. Oh,
Ansel Burch 29:45
two queens. Look at you rubbing elbows. So these are your closest friends or greatest allies. These are either contacts that have great significance to you, or people who are close to you. And it's kind of up to you how you want to interpret the cards that you've gotten. Let's let's do them one at a time, just for the sake of thinking it through, since this is your first time. So what the first card was
Speaker 2 30:27
that I got when we put, like, My, oh, the one from the allies. You mean, yeah, just now the first Oh, the seven of clubs. Seven
Ansel Burch 30:34
of clubs. So clubs are usually laborers, people who make raw material into saleable goods, farmers, blacksmiths, you know, people who work hard with their hands are generally represented by clubs. So what does this? What does this? What does this card say to you?
Omar Burgos 31:03
So my current ally right now? Yes,
Ansel Burch 31:06
this is this card represents a person. When you draw it, not only does it come with a mechanical bonus, but it also makes your character think of that person. Or if it makes sense in the moment that person might just show up, it is the aid that that person has given you or gives you.
Speaker 2 31:26
As a pharaoh, of course, I have many servants, and just like how pharaohs were buried with their cats, I was buried with my human servant in this backwards world and very subservient and big goal goes to my every beck and call and works well with his hands so I don't do things do I have. Course I'm a pharaoh. Why would I do my own dirty work? So he is the one that does all those for me. And of course, he gives me scritches and plays your sandbox. Yeah, keep my sandbox. You know, pets me only when I want to. Though pets me too hard to swat at them.
Ansel Burch 32:06
You're literally just describing my cat. Amazing. Okay, so this is your, this is your, like, Chief servant. Your your head, head guy. I like that. Cool. All right. So let's move on to one of the queens.
Omar Burgos 32:25
So the next one is the queen of hearts.
Speaker 3 32:28
Okay, that again, talks to like beseeching higher powers, religion, patronage, that sort of business, maybe,
Speaker 2 32:42
uh, best at herself. Oh, I pray to her.
Ansel Burch 32:48
That would be pretty dope. Yeah, that makes sense. She would be your ally based upon your training and your position in the world. I'm getting some like, moon night vibes,
Speaker 2 33:02
yeah, yeah, yeah, yeah, hell yeah.
Ansel Burch 33:05
Wasn't a far walk, but we made it.
Speaker 2 33:10
Yeah, I'm down for there's someone who I like when I'm really I don't like to rely on her too much, because I like to be independent, but when I need to, I will call upon her. Maybe she'll answer in mysterious ways, but, or I'll see something like something fluttering, and I'm like, That's a sign. And connect the dots, and they're all of a sudden, have this, I have a plan, yeah, well,
Ansel Burch 33:31
and I mean, being that she's a queen, chance is pretty good. When she comes up, she's gonna come through. The mechanical benefit of the allies card is you. You basically get advantage. You get to draw a second card and take the better of the two. So if, in the event that she isn't the highest card of the two, you know you're doing well, because then it's got to be a king or an ace. So yeah, that's a pretty solid, pretty solid card to have in your your allies corner, and then our last queen, queen of spades, spades. Yeah, again, that goes back to our war like characters, our fighters and arguers.
Omar Burgos 34:22
So another ally queen.
Ansel Burch 34:25
I mean, I don't know how on the nose you want to go, but it immediately makes me think of people like like Cleopatra.
Speaker 2 34:37
I would definitely think I would have had maybe a queen or an actual or like someone who I was betrothed to, a beauty from another land that came in she, I'm trying to say think story wise. If she's back in the past, for the future, however we look at it, hey,
Ansel Burch 35:04
you're a time traveler, everything's possible now,
Speaker 2 35:09
maybe she was searching for me. She was the only one who saw the good, because the camera is good, just deep down in there, she was the only one who's teasing out exactly, she's the one who saw the good in me, and she is a brilliant because I don't do things with my hand. I don't fight. He can fight if he needs to, but he's not a fighter. She, though is a brilliant fighter, the way she handles swords and weaponry, and like in if anything, she's the one who trained me when it came to the blade, and that's how they kind of fell in love.
Ansel Burch 35:49
That's nice. That's nice. Okay, yeah, so your your warrior queen. And I don't think it's out of the realm of possibility to have her, her show up River Song style, yes. So now we're going to draw three more cards. Same thing, but now they're enemies. Okay, when you draw these, they are going to prompt you to draw another card and take the lower of the two. Okay,
Ben Banks 36:13
we've got a three of diamonds, six of hearts and five of hearts. I'm
Ansel Burch 36:26
I freeze, okay, any of those jump out at you immediately. I
Unknown Speaker 36:49
hmm,
Ansel Burch 36:52
I do think it's interesting that you're about to have a three and a five. Is it right? Three and a 535,
Ben Banks 37:00
and 6356. Of Hearts, five of hearts and three.
Ansel Burch 37:03
Yeah, these are all, like, pretty measly numbers, but they're gonna bring back up. Yeah. These are not, like, imposing enemies, but they are still problems. They're real threats, and just like the allies, they're not necessarily gonna show up in person. Yeah, you know something that reminds you of them, or something that they like a trauma, perhaps, or a an old wound that these guys left you with reminds you or aggravates an existing problem?
Ben Banks 37:38
Yeah, I think one of the hearts could be like, like a former partner that I had in the in the police force that you know, since we're both hearts the same suit, kind of gone down a similar path, but maybe they either completely, like sold out to the system and is like, doing everything by the book, or totally, like went renegade in a way that I haven't yet or didn't yet. So that kind of brings a sore spot that made that they got farther in their in their career at the same point than I am or, like, I don't know. No,
Ansel Burch 38:27
I like that. I like the idea of them. Like because they did everything by the book. They they've gotten farther. But maybe they're, they're like, there's got to be something about them that, you know is not as well, or maybe they're equally valid. And it just annoys you. It's like, uh, could have gotten there faster if you just cut through the alleys. But okay,
Ben Banks 38:56
yeah, I think the five, the five of hearts, can be that, and then the the three, I'm trying to think, because that is low. But the diamonds, do
Ansel Burch 39:04
you think maybe a like a another repeat offender that you've that you've brought in before, but they always like, hook up with bigger, scarier, like groups or, or they're like, a henchman type character, and they're like, you keep running into Rubio, but Jesus, if he's he's not always with some, you know, bigger, scarier mark,
Ben Banks 39:36
okay, yeah, I like that. Just kind of, and every man for hire, and just whoever has the biggest crew that to, you know, quote, unquote, Rubio, who he's working with,
Ansel Burch 39:51
I think that. I think, yeah,
Ben Banks 39:53
I think he's always the thread that you pull, that pulls the bigger piece. Oh yeah, he's always the pull. Piece sticking out,
Ansel Burch 40:04
yeah, and maybe that's what it reminds you of, that this is always like, I just had to pick at this, yeah. Now look at where I am, all right? And then you got one more, right?
Ben Banks 40:22
Yeah, this the six of hearts.
Ansel Burch 40:32
What about like a DA, I think about the the antagonistic relationship that's like in law and order, they occasionally play up between some of the cops and the prosecutors, okay, or public defenders?
Ben Banks 41:00
Yeah, I think, I think that would lend itself well, because both being in the hearts, you know, justice, wanting to be holding to something bigger, yeah. I think that would work. Yeah. I think that makes sense. And just the way we go about it, and the way we've butted heads about, you know, what is the right way to do things, or how things are done, or what's the procedure.
Ansel Burch 41:23
They always give you shit about your evidence not being in baggies,
Ben Banks 41:27
right, right? And that being a six, the highest number that I've got there, you know, they have authority, they have some influence, and they're
Ansel Burch 41:37
not, like, super important, but they're, they're still a reasonable threat that could be a problem for you about half the time. Yeah, yeah, that's cool. I think that's, I think that's a good, good choice.
Speaker 2 41:55
I was about to say is the devil, because I drew six, six, but the last one was not six. Oh, man,
Ansel Burch 42:04
sometimes we get those little, little presents from the from the cards I
Speaker 2 42:08
got for the enemy, the six of diamonds, the six of hearts and the jack of diamonds, the dump guys there.
Speaker 3 42:16
It is convenient that you got lower cards, although not as significant in this, because they are going to do the opposite of what your ally cards do when you draw them, you're going to draw a second card and take the lesser of the two, predictably. But let's, let's deal with those sixes. Which one do you want to talk about? First? Did
Omar Burgos 42:41
the six of diamonds
Ansel Burch 42:46
that sounds like somebody in your own like order, or your own cast, maybe a rival
Speaker 2 42:53
part of that other Pharaoh, be it a good person or bad person with a terrible tyrant. But my rival, which was the part represented in like the two of diamonds that we originally had, that was my my card. This was perhaps his second in command, or someone very close who maybe planned it, maybe his own physique, or someone like that, who's, oh yeah, and they were very rich and all that, and maybe, maybe it wasn't so much of a time more. So I've misunderstood and the my rival is good, but this person is not. And saw a place for him to up his standing if he made, basically my twin or rival, the king of the Pharaoh, and then he could rise up as, like the as the Royal, okay,
Ansel Burch 43:55
a manipulative king maker. Yeah, that's cool. And if he's going to do that, he has to get you out of the you out of the way. So,
Speaker 2 44:05
all right, well, not to go to a head and also have the jack of diamonds, which maybe actually would fit that better, because I don't know.
Ansel Burch 44:12
I mean, the jack of diamonds can be the one he elevated.
Omar Burgos 44:18
Yeah, it could be okay. Oh, the jack of diamonds, because the ad roll could represent Yes, the, okay, I got you Yes, I like that. So he lifted up. So, yeah, so this was number six. Would be that person who lifted up the my rival,
Ansel Burch 44:39
which, that's your Jafar. Yeah,
Speaker 2 44:41
yes, yes. Jafar is the six of diamonds in this one. And then I guess the the jack of diamonds could be the actual rival himself.
Ansel Burch 44:54
Yeah. Do we think this is a rival kingdom, or are they shooting for your three? Throne, yeah, shooting from my throat, yeah? Okay, so like a sibling or a
Speaker 2 45:04
relative or something, yeah, I was thinking like, this is a
Ansel Burch 45:07
relation or a blooded
Speaker 2 45:13
dynasty, yeah? I was actually like that. And I'm thinking like it could be like, my twin, maybe younger brother. That's why I got it first, because I'm older brother, so my younger brother, who's actually innocent, but it's being fooled by number six of diamonds. So still technically antagonistic against me, but it's not a bad person, just, yeah, very naive.
Ansel Burch 45:37
His motives are pure, but he is a problem for you? Yes, yes,
Omar Burgos 45:41
definitely, yeah, I like that.
Ansel Burch 45:45
And what about that last six, the six
Speaker 2 45:47
of hearts. And you said, hearts represent,
Ansel Burch 45:52
yeah, the those who beseech a Higher Power. Power, yes, yeah, capabilities.
Speaker 2 45:59
This is an adversary. I'm like, looking at the two sixes, and they're like, twin sixes, is this like? So if you getting all these like references from different pop culture things. So if you ever watched that the prince of Egypt, like the old like, oh yeah, Disney movie. So there was the two viziers who were like, who's saying, like, oh, we have real magic and all that, when they were playing around with it and trying to make Moses seem like, like a nobody, this could be the other person. So it could have been the two of them, like twin, priest vizier twins, who's saying, are supporting the jack of diamonds. I
Ansel Burch 46:43
like that a lot. It gives you two evil viziers in your background with potential. I like the I like the idea of bringing forward the like, is it real magic, or are they just fakers sort of thing? Yeah, that's, that's got some that's got some legs. I think there's, there's potential there.
Unknown Speaker 47:07
Nice.
Ansel Burch 47:11
All right, now we are going to draw three more cards. I know this is going to feel familiar. Take a look at all three. You're going to pick one of them to be your impediment. And before you choose, I want to let you know the impediment is your equivalent to a crit fail. Whenever you draw this, you will fail in the most dramatic way possible.
Speaker 2 47:33
Oh, no, let me put these cards aside and three more. So one of them is a very high card. The two of them are, I don't know, you're only back in one. Oh, I get to pick one.
Ansel Burch 47:45
Yeah, you can choose not to do the very high card.
Omar Burgos 47:49
Okay, I'm not gonna pick the ace of diamonds. I feel like that's I'm keeping wasteful. Yeah, it feels wasteful. Um, let's do see in and, like, you know what? I'm loving diamonds. And like diamonds are cats best friends, so I'm not gonna pick the Eight of diamonds, although this is still a high card. I will pick the jack of spades. Okay,
Ansel Burch 48:07
all right,
all right, so go ahead and mark that with the impediment. Okay. This is a this is representative of a personal flaw, a curse, an impediment or an obligation that stops you from reaching your goals. What do we think it is about this spade that reminds you of of your greatest flaw?
Speaker 2 48:32
Can I swap it? Because now that you said it out loud, maybe I will pick the Eight of diamonds only because he is like, he might have a job to do. And like, maybe we have to break in somewhere to get, like the Rosetta Stone and put it back in place. But there are like, ancient Crown Jewels over there, one moment, please. And then that is such a distraction, we'll keep it up that all his smarts go away for the shiny, kind of like Abu from Aladdin, like he sees it, he goes and grabs it. So, yeah, I think that's his because I wanted to make that his fall as well, like he's just loves money and jewels and opulence, and that could be his greatest downfall, probably what lured him into the cave that they buried him in the
Speaker 3 49:18
first place. That's how he got into this predicament. I like it. Yeah, yeah, you can, you can pick that one. Next up is enemies. We're gonna do the exact same thing. Three enemies.
Sarah Moore 49:30
Okay, here we go. Three enemies. Oh no, the King of Hearts,
Ansel Burch 49:37
is there maybe somebody at the studio high up that don't like you so much.
Sarah Moore 49:42
Probably, oh, what if it's
the studio heads, wife? Or like, Secretary, right? Like secretaries wield a lot of
Ansel Burch 50:03
secretaries. Of the most important people in that office. Anybody who says otherwise is delusional,
Sarah Moore 50:08
yeah. So what if it's like, the head of studios, secretary, and it's just like, just like a consistent, like, they're always pissed off, because when I need a meeting, because I'm traveling through time that I have to, like, preempt everybody else's meetings, and they're always mad about it. Like, you think if you time travel that you could just like, travel to tomorrow, when it would be more convenient for all of us.
Ansel Burch 50:37
Bro, yesterday was last week. I don't know what to tell you. I don't know
Sarah Moore 50:40
what to tell you. I don't even know what day is it? Is it Christmas? What's happening?
Ansel Burch 50:47
What year is it right now,
Sarah Moore 50:49
nobody knows.
Ansel Burch 50:52
Yeah, that's cool. That's cool. So like the secretary to the studio head and your your husband is also a king, right?
Sarah Moore 51:03
Yes,
Ansel Burch 51:06
it's cool that you have kings on both sides.
Sarah Moore 51:11
Could be could be a problem.
Ansel Burch 51:14
So what that means mechanically is, when you draw an ally card, you're going to draw a second card and take the higher of the two with a enemy card. You're going to draw a second card and take the lower of the two so that King on your ally side almost useless, not doing you much good. There's there's very little likelihood you're going to get higher, but this king on the enemy side, that is going to be impactful, yeah, that's
Sarah Moore 51:42
gonna, that's gonna eat it a little bit. What a jerk. What a jerk.
Speaker 3 51:50
I have good news for you later, depending on how your next draws go, but we will save that. Alright, alright. So another bad guy, draw another one, yeah, an ace. Dang, dang.
Sarah Moore 52:06
You guys what bad shuffle or a great, I can't say
Speaker 3 52:14
that's the beauty of randomization. Uh, so yeah, so with the clubs, once again, takes us back to thinking about those who labor crafters and what have you, what does, what does the ace of clubs say to you in your particular media? So
Sarah Moore 52:32
I think it's probably like a pretty low person right on the totem pole, because it's an ace. So it's like the lowest you can get, right? We're
Ansel Burch 52:38
playing Aces High, good. Good question. Hi, yep,
Sarah Moore 52:41
okay, okay, um, okay, so,
Ansel Burch 52:54
labor, but I'd be curious where you were going with that, because I wonder if you can play with it.
Sarah Moore 53:00
Well, I was gonna say that there's like a PA on set always that just hates me, just like consistently is trying to make my life more difficult.
Ansel Burch 53:17
Do you think that pa maybe has more power than you know.
Sarah Moore 53:23
Oh, this Okay, so this could be a nepotism situation, and like that, Pa is like, the studio heads like nephew or something that's just like, just like, doing his damn best to like,
Ansel Burch 53:45
because, like, he just does not like your movies. I don't know why we keep making your movies. I could travel through. Why
Sarah Moore 53:52
is it always your fucking movies? Like, I I'm so tired of you, I think probably also he wants to be an actor, and, like, can't get hired at anything, and so he's just like, This is what he can do. And his his, you know, he's just happy his uncle is gonna be he's like, Well, just, you know, just do this for a while. Like, it's gonna be fine.
Speaker 3 54:17
His uncle thought he'd be happy just getting on set, and it just made things worse. Yeah, yep, yeah. That's cool. That's a cool idea. It has just occurred to me, we've been talking about your movies as though they also cover you traveling through time. Do you think you have a film crew that comes with you, or do you like do your own documentary style footage whilst traveling.
Sarah Moore 54:42
No, I think some, I think they come with, Okay, so you've got like, a crew
Ansel Burch 54:45
in your Yeah, time machine or whatever. Yeah, I think that will be very interesting to work with, and I'm excited to see how it happens.
Sarah Moore 54:55
I mean, unless that that's too there are no much work on you. I don't want to. Hey. Okay, great. We are
Ansel Burch 55:02
here to make a fun game happen. Can't wait time travel shenanigans with more NPCs, yes, please.
Sarah Moore 55:13
I am, I am happy to like to map all of those things out with you like I, I will take as much off of your plate as you would like to like, this is the crew that I'm with, right? It's probably a smaller crew, but we definitely have a lighting guy because he you have to light this right, like porch
Ansel Burch 55:35
schmuck with a bounce card, just like trying desperately not to get eaten by dinosaurs and shit.
Sarah Moore 55:42
Mm, hmm, yep, yep, your
Ansel Burch 55:45
action camera person, yeah,
Sarah Moore 55:51
yeah. And then there's a sound guy. Obviously, we want,
Ansel Burch 55:55
I can to be able to hear this. Honestly. I want it to be the guy in the pink shorts from Star Wars, obviously the best boom operator.
Sarah Moore 56:03
Yeah, he was one of our I mean, we dropped him off on tattooing. We lost him there. It was the problem, whoop, oh, shoot,
Ansel Burch 56:16
just a lot of sand. Nothing we could do.
Unknown Speaker 56:19
Yep, yep, yep,
Ansel Burch 56:21
all right? Is that three enemies? No,
Sarah Moore 56:23
that's only two. Okay, so we got one more,
Ansel Burch 56:26
one more enemy. Oh, and these are marked with the little, I'm sure you'd look dark,
Sarah Moore 56:30
yeah, the little thing looking guy, yeah, I'm a steering wheel looking guy, eight of
Speaker 3 56:37
diamond. Hey, that one's in the middle. That's, that's way better. Okay, diamonds again make us think about merchants and traders and those who make goods, refined goods, I should say fine goods. We've also used that to mean like Richie's so far. So cash,
Sarah Moore 57:04
okay, so like, what if it's my mother in law? Oh,
Ansel Burch 57:10
okay. What if classic villain,
Sarah Moore 57:17
yeah, what if she just like, doesn't like that, uh, she's, she sees me as having led her, her innocent baby boy, into a life of, you know, like the movies, that's not good. You think
Ansel Burch 57:33
she's like, secretly, very hobbity. She's like, ah, adventures. No, thank you.
Sarah Moore 57:40
I don't think it's a secret at all. I think she's, I think she's like, very like, I think she's probably pretty like, religious. I think she thinks their wealth comes from the fact that she's a good, pious woman, okay, and, and not that her husband mined the Earth into oblivion,
Ansel Burch 58:07
not that you've exploited labor and the end the world at the same time. No, no, no,
Sarah Moore 58:12
no, no. Not that at all.
Ansel Burch 58:17
God, thank you. She's
Sarah Moore 58:20
that dude up there, he gave me all of my wealth because I prayed to him.
Ansel Burch 58:25
Or maybe in this world, it's gods. Maybe we have a, yeah, a bunch of dominant religion is, is, is multiple gods?
Sarah Moore 58:36
Yeah, that would make sense because of multiple partners and all of those things. Why
Ansel Burch 58:39
would you love just one thing.
Sarah Moore 58:44
But, you know, I have my favorites.
Ansel Burch 58:45
Obviously, that's the beauty of polytheism. You get to have a favorite guy
Sarah Moore 58:51
to have all
Speaker 3 58:56
right. So now we are going to draw three more cards, and this time you're gonna, okay, this will be your impediment. This is the opposite of your card. This is your critical failure. When you draw this card, the worst possible dramatic thing happens. A joker is a good choice for this, because that is a zero value card.
Sarah Moore 59:21
I also have the other two was a jack and a seven, okay, but feels like the Joker feels good.
Ansel Burch 59:29
Joker feels correct, yeah, that's especially being the black Joker, the monochrome Joker, yeah, that's that's got the right vibe to it, which begs the question, what do you think it is that stops you getting to your goals by yourself? Why do you need your allies?
Sarah Moore 59:57
I think I.
I think her allies are her humanity. I think that she was taught very early that the things the people that you love, will literally push you out of planes. Oh, yeah, right. And so she spends a lot of time, even though she has more than one partner, those were very long relationship builds because she doesn't trust easily. And so I think that she spends a lot of time, like, if there's not somebody or like, she'll take, she'll take the the route that is maybe not best for her or for the situation,
Ansel Burch 1:00:55
because she emerges, Yeah, yeah,
Sarah Moore 1:00:58
yeah, because she's worried about, about that so that, yeah, that's what I think. I think her, her people are, her soul, basically like that.
Ansel Burch 1:01:09
That's very cool. And that'll be, that'll make for a really cool dynamic in play, too. I like, that's a, that's a neat, neat choice.
Sarah Moore 1:01:19
She's just like,
Ansel Burch 1:01:24
gonna get me killed. And I know so and
Sarah Moore 1:01:27
I know, and, yeah, yeah,
Ansel Burch 1:01:30
why do we have to keep rescuing this character? Because she wanders off. I don't know. She doesn't think you're up to
Sarah Moore 1:01:37
leaving
Ansel Burch 1:01:40
yet again, she insists she's not being rescued. You are, in fact, just getting in the way.
Sarah Moore 1:01:45
I also think, and I know that this is a separate thing, but I think she has, she has been purposely sterile, because, I don't think because her parent figure, as we've discussed, like, abandoned her over and over and over and over and over and so I think she's just like, no kids, yeah, just in case. What if I do what if I do the same thing? Not gonna do it like I think that scares the crap out of her. So I think she just has
Ansel Burch 1:02:24
chosen, yeah, that's just, that's cool. I like, yeah, that makes, that's a that is a great manifestation of that energy, like that, really, I think that'll sell it. I mean, you'd think, but I'm kidding,
Stella Cheeks 1:02:43
I'm not cheating. I don't know how to cheat. I don't know how the game
Ansel Burch 1:02:47
works. Yeah, why would you? Why would you? Why would you want that to be the
Stella Cheeks 1:02:52
case? Okay, three, three. Again, that's
Ansel Burch 1:02:56
the nice thing about this. Is like there's, there is so little incentive to cheat, even if you could figure out how to do it.
Stella Cheeks 1:03:04
So I'm doing en me now
Ansel Burch 1:03:08
three so three cards and same thing. These are going to represent your three greatest enemies.
Stella Cheeks 1:03:15
All right, I got an ace of spades, a seven of spades and a two of clubs.
Ansel Burch 1:03:25
Okay, spades heavy. That's that's cool. So these enemies, this is the circle with a cut in half, and then that's cut in half. Kind of looks like a steering wheel. And these are functionally going to work in the opposite way as the allies. So whenever you draw one of these, you'll draw another one and take the lower.
Stella Cheeks 1:03:57
Spades is the fighty one,
yes. And then clubs is the like, tinkery one, yeah. Am I supposed to, like, make actual enemies of these for these people?
Ansel Burch 1:04:11
Yes, no. More detail than we did previously is needed. But yet these are, this is also going to be a thing where it inspires you to tell a story about or, or to inform the action based upon, oh yeah, that guy who used to beat you up in school, or, you know, whatever, okay, instinctually,
Stella Cheeks 1:04:31
I feel like the ace of spades should be like,
like a Like a priest, or like somebody else who is like, either connected to the source and is like jealous type of thing, like, I devoted my whole life to the source, and you get these powers.
Speaker 1 1:04:57
Who are you? You random? Guy.
Stella Cheeks 1:05:01
So I think Ace of Spades has to be like true nemesis.
Ansel Burch 1:05:06
I like that. And it's, I mean, it's a very high card. When that thing shows up, it is gonna fuck up your day.
Stella Cheeks 1:05:13
Yeah, yeah. And he's gone like full evil. And then seven of spades. Um,
I feel like
I want that to be some kind of I'm feeling like that should be like a sibling.
Ansel Burch 1:05:42
Ooh, I like that, yeah,
Stella Cheeks 1:05:45
as an only child, I assume this is how
Ansel Burch 1:05:50
sometimes, yeah, yeah, I feel like, you get to be the chosen one, and I just have to live here at home,
Stella Cheeks 1:05:57
yeah? Or like, if I'm like, seen as being like dereliction my duties.
Ansel Burch 1:06:03
Oh, no, yeah, that's cool. That's good too. Yeah, you keep going off on these missions, and I have to take care of dad or whatever, yeah, or the house or the cat or whatever, two of
Stella Cheeks 1:06:16
clubs, club, I
Ansel Burch 1:06:27
a two so this, this just needs to Be, like a minor pain,
Stella Cheeks 1:06:38
a minor pain away. Oh, yes. What about my best friend's next door neighbor who's just a dick every time I go,
Ansel Burch 1:06:50
I love it. I love it. This person would do damage to you if they had
Stella Cheeks 1:06:54
but they're mostly just like, whatever. Carl,
Ansel Burch 1:06:59
yeah, yeah, yeah.
Speaker 1 1:07:03
So that is, it's, that's the highest of I just like this fucker guy.
Speaker 3 1:07:14
Okay, so we have one last thing to do before we get to a sort of meta part, and that is your impediment. So go ahead and draw three cards, and this time you're just gonna pick one your choice of these three cards. Do I look at them? This is the opposite. Yeah, face up. This is the opposite of your card. Every time you draw this card, it will be the worst, most dramatic possible option. So Mechanically speaking, it's kind of a good idea to pick a low one, unless there's one that jumps out at you. Okay,
Stella Cheeks 1:07:47
well, I have the king of spades, the jack of diamonds, and then the four of clubs. So I guess mechanically it would make sense to do the four, but I don't, I don't know. I'm like, kind of liking this, like, black sheep of the family thing, yeah? So I feel kind of like I want to do the diamond.
Ansel Burch 1:08:12
That makes total sense, so I'll do that. We are here to tell stories.
Stella Cheeks 1:08:18
I'm here to win.
Unknown Speaker 1:08:20
Yeah, I didn't
Speaker 3 1:08:21
come to make friends. So the impediment is the one that's like a little cross with dots at the intersection, yeah, but yes, and this will cause you to fail immediately and dramatically. So now, once the marker is dry on that one, we will be shuffling. So go ahead and let that one dry while we think about what that represents. What is the thing that gets in your character's way? And this can be a personal defeat, this can be an obligation, maybe an organization that means to do you ill, yeah, something, something that is always in your way. I feel like I can't totally decide
Stella Cheeks 1:09:08
what it is until I decide what the like problem on my planet is. Because I feel like it should okay. I feel like it should relate to that.
Unknown Speaker 1:09:18
I like that idea right? Because it feels like it would be
Stella Cheeks 1:09:22
that's like the big thing.
Ansel Burch 1:09:24
Stella cheeks is at Stella cheeks on Instagram and blue sky. Sarah Moore is at pixies and pins on all of the social media channels, and at pixies and pins.com you can also check out her Sarah's table live streams on Twitch at pixies and pins. Omar Burgos is at tail Weaver. Check out his work on the tale of D 20s. TTRPG channel. More information at a tale of D twenties.com, Ben banks is at DJ underscore. Blendian on Instagram and SoundCloud. I'm Ansel Burch, and you can find me at the indecisionist on all of the meta properties and on blues. Eye special. Thanks to Cameron ivesque Davis for the song you're hearing now and at the beginning of the podcast, this has been an indecisionist production. Go to indecisionist.com to find more of our work, including my monthly gaming event, TTRPG pickup con and my other time travel podcast, time to party as you travel at one second per second. Take some time out for these intrepid adventurers. They may be in trouble, but only for the time being. You.
Stella Cheeks 1:11:00
So the problem is Ansel is that the marker that I'm using, none of these are dry. Do.
